Since antiquity, literary works have been drawn to music and the human voice: fascinated by their captivating force, seduced by their alluring charms, envious of their capacity to express the singularity of life and lived experience. Literature has also pointed to the fragile evanescence of music and the voice as a way to assert its own enduring power. How has writing attempted to appropriate musical and vocal effects across different epochs and different cultures? What can these varied attempts tell us about human experience and our ways of representing it? How do tone, rhythm, pitch, dynamics, and breath contribute to literary enterprises? The course invites a comparative examination of selected works of European literature that deal with music and phenomena of the voice.