CITIES HAVE LONG BEEN places of possibility—places where it seemed that we could break from the past and create an entirely new future. As Bruno Carvalho observes in his new book, The Invention of the Future: A History of Cities in the Modern World, this mindset is a key feature of what it means to be “modern”—a sensibility toward the present and the future as it relates to the past.
Yet, as Carvalho’s wide-ranging history details, a break from the past does not assume a positive vision of the future. In fact, Carvalho begins his book with the question “Where did the future go?”—the title of a debate between the venture capitalist Peter Thiel and anthropologist David Graeber. Both imagine that the only cities of tomorrow are on Mars. When did our vision of the future become so constrained, tired, and even dystopic?
Carvalho’s book returns to a recurring paradox we have faced since the Enlightenment: the better our capacity for creation and prediction, the more limited our ability to imagine a new future. He marvels, though, that “we know some of what is coming: urbanization and climate change, life and death. Between all that, there is a lot of space for reinvention.”
In our conversation, we look to the past to help us think through what reinvention might look like and discuss what it means to plan for a radically different future. We also discuss the legacies of Silicon Valley, the construction of New York City, urban futures moving from the West across the Pacific, and whether Carvalho is optimistic about what’s to come.
Founded as a graduate program in 1904 and joining with the undergraduate Literature Concentration in 2007, Harvard’s Department of Comparative Literature operates at the crossroads of multilingualism, literary study, and media history.
© 2023 President and Fellows of Harvard College
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