The course provides a lively, in-depth introduction to fascism, its philosophical and political roots, its critique of liberal democracy and socialism, and the traces fascism has left on the contemporary cultural-political scene. It begins with readings from key fascist thinkers and theorists, before surveying a series of domains where artists, writers, architects, film-makers, and engineers sought to interpret and embody the “fascist revolution” not just in Italy but worldwide. Among the figures considered are mystical nationalists like Gabriele D’Annunzio; Filippo Tommaso Marinetti, founder and leader of the Futurist movement; the American poet Ezra Pound, author of the Cantos, one of the masterpieces of 20th century American poetry; Leni Riefenstahl, the film director of classic documentaries such as Olympia and Triumph of the Will; the architects Marcello Piacentini and Adolf Speer, the former Italy’s leading designer of public monuments and buildings during the Mussolini era, the latter Hitler’s preferred architect; and the engineer Gaetano Ciocca, creator of everything from Corporativist pig farms to mass-produced worker housing to mass sports stadia. Course themes will include: fascism vs. nazism; collectivism vs. individualism; radical right attitudes towards technology and industrialization; and examinations of the convergences and divergences between mid-20th century fascisms and the sub-cultures of today’s alt-right.