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Emily Greenwood reviews a new edition of Mary Barnard’s Sappho in The Yale Review

Portrait of a Young Woman with Stylus, Pompeii, first century AD. Naples National Archaeological Museum. Photograph by Sylvain Lasco / Wikimedia Commons, CC BY-SA 4.0. Image modified.

Words, words, words by Martin Puchner

Studio Schwitters (2010), a sound installation by Pavel Büchler, plays the Dadaist sound poem Ursonate (1922-32) by Kurt Schwitters. Photo by Christophe Gateau/dpa/Getty Images

Where Did the Future Go? An interview with Bruno Carvalho

The Invention of the Future: A History of Cities in the Modern World by Bruno Carvalho.

In Search of a Vanished Afro-Brazilian Novel by Georgia Soares

Lara Norgaard shortlisted for the 2024 ALTA First Translation Prize

Imperial Media Mix: Japan’s Failed Attempt at Asia’s First Transnational Girl Group

An interview with David Damrosch

Reading in Translation

Congratulations to Professor Greenwood!

Things I have learned from students who have taken my seminars in Comparative Literature – by Gregory Nagy

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Founded as a graduate program in 1904 and joining with the undergraduate Literature Concentration in 2007, Harvard’s Department of Comparative Literature operates at the crossroads of multilingualism, literary study, and media history.

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  • Sep 22

Margaret Alexiou, George Seferis Professor of Modern Greek Studies and Professor of Comparative Literature, Emerita

  • Sep 21

HARVARD GAZETTE ARTICLE | Is there a philosopher in the house? with Professor Moira Weigel

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