Areas of Study

Literary theory and poetics

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Built around three seminal 20th century figures–the artist-designer Bruno Munari, the writer-educator Gianni Rodari, the novelist Italo Calvino–the course aims to explore structural, combinatory, and generative thinking about storytelling. It combines the study of literary theory and history, literary works such as folktales and children’s stories, and computer-assisted creation employing both textual and visual generative AI tools. By the end of the semester, the class will result in the creation of a well crafted, curated, and edited volume of AI folktales.

A re-examination of “Lyric” as occasion as well as genre. Central questions to be explored will include: how do the “lyrics” of composed song come alive in performance? For example, how do the two librettists of Puccini’s opera La Bohème contribute to the making of a masterpiece in song? Shared readings include The Lyric Theory Reader: A Critical Anthology, edited by Virginia Jackson and Yopie Prins.

Things I have learned from students who have taken my seminars in Comparative Literature, By Professor Greg Nagy.

Courses

People

Harvard College Professor

Faculty of Arts and Sciences

Martin Peretz Professor of Yiddish Literature and Comparative Literature

Faculty of Arts and Sciences

Associate Professor of Yiddish Literature

Faculty of Arts and Sciences

Office: Dana-Palmer 206

Office Hours: By appointment see Calendly link

Lecturer on Comparative Literature, 2023-2024, Faculty of Arts & Sciences

Faculty of Arts and Sciences

Office: Dana Palmer 204

Office Hours: By appointment

Curt Hugo Reisinger Professor of Slavic Languages and Literatures and Professor of Comparative Literature

Faculty of Arts and Sciences

Office: Barker 377

Office Hours: Fall 2024 Office Hours TBA

Edward C. Henderson Professor of Chinese Literature and of Comparative Literature

Faculty of Arts and Sciences

Office: 2 Divinity Ave. #130A

Office Hours: Fall 2024 Office Hours TBA

Areas of Study