Areas of Study

Media history and theory

Oct

09

From the dust jacket: “In A Fast-Paced History of Speed (Storia rapida della velocità, Milan: Il Saggiatore, 2025), Jeffrey Schnapp spans millennia, cultures, and technologies to explore the profound relationship between velocity and civilization. This is not merely a history of technology or transportation, but a fascinating journey into the imagination and sensibilities of modern humanity—-forever poised between the desire for transcendence and the limitations of the body.

From the Spartan Ladas, who ran so fast he seemed to float through the air, to the cosmic wheels that envelop Dante in the Paradiso; from Thomas De Quincey’s mail coach to the Futurist race cars of Filippo Tommaso Marinetti; from J.M.W. Turner fiery portraits of locomotives to Nvidia’s latest superchip— every form of acceleration tells a story of metamorphosis. And every transformation carries a promise to surpass the human but also the risk of losing oneself in a world that moves too fast.

With intelligence and irony, Schnapp reconstructs an anthropology of speed made of bodies, machines, ecstasies, and crashes. A book that urges us to reflect on what we are becoming. Because in our race toward the future, speed is not just a means—-it is the very measure of what we call progress, power, and existence.”

Storia rapida della velocità was awarded the 2025 Premio di saggistica “Città delle rose” (in the non-Italian author category): an honor whose prior recipients include Alberto Manguel, Marc Augé, Michail Chodorkovskji, Edgar Morin, and Tzvetan Todorov.

Originally published in 1967 and never before translated into English, Bruno Munari’s Fantasy – Invention, Creativity, and Imagination in Visual Communication invites the reader to explore their own imagination, creativity, and fantasy through a journey in Munari’s mind and work experience. His theory of creativity, developed in conversation with the Reggio Emilia approach and the work of Jean Piaget, foregrounds the book’s journey through Munari’s own design processes, and his work for clients and with children.

Designed by IN-FO.CO, the edition meticulously mirrors the layout and typography of the Italian original –its graphic flavor and texture– and is accompanied by a critical apparatus as well as by an introductory essay.  The translation, notes, and accompanying essay are by Jeffrey Schnapp.

This course aims to examine the philosophical foundation of data-driven storytelling and explore how data is incorporated into contemporary transmedia storytelling. The course will also explore how data can provide not only an analytical but also an experimental mode of scholarship. Topics covered may include data visualization, database aesthetics, game studies, and pattern recognition/discrimination.

Courses

Spring 2026

Monday, Wednesday

COMPLIT 183: Global Media

Moira Weigel

Course Video

In this course we will examine how media and communication technologies both drive and depict the complex set of processes known as globalization. We will explore case studies from sixteenth century maps to twenty-first century supply chains, as well as Huallywood, Hollywood, Bollywood, and Nollywood films. In the process, we will grapple with major questions and tensions that have defined the modern era. Why have human societies become more closely connected over the past few centuries than at any prior time in human history? How has this interdependence changed the ways that we understand ourselves and one another? What new visions and freedoms has it created? Why has it made us more unequal than ever before?

By the end of the semester, students will have gained skills necessary for analyzing media that are produced and consumed across national and linguistic borders. You will have earned familiarity with a number of key analytical and historical categories that will prepare you for advanced coursework in the humanities and social sciences. And you will have applied and developed course concepts and skills through both creative and critical projects.

Above all, you will have learned new ways of thinking. Today, when the words on this page can reach you after traveling, as data packets, through undersea cables or outer space satellites, all media are global. At the same time, increasingly ubiquitous networked computation has turned almost everything on earth into a medium of data. Throughout this course, we will seek to unsettle what we think we know about who, and where, we are–gaining insights into how our lives connect to others, past and present, near and far.

In Person

People

Assistant Professor of Comparative Literature

Faculty of Arts and Sciences

Office: Dana-Palmer 202

Office Hours: Fri. 2-4pm or appointment

Curt Hugo Reisinger Professor of Slavic Languages and Literatures and Professor of Comparative Literature

Faculty of Arts and Sciences

Office: Barker 377

Office Hours: Tues. 1-3pm or by appointment

Eliot Professor of Greek Literature

Faculty of Arts and Sciences

Office: Boylston 223

Office Hours: Wed 3-4:30 - Please book on Calendly link

Visiting Research Professor of Comparative Literature and Romance Languages and Literatures

Faculty of Arts and Sciences

Office: 175 Widener

Chair, Department of Comparative Literature

Faculty of Arts and Sciences

Office: Boylston Hall 423

Office Hours: Fall 2025 Tuesdays 9-10:30 am and by appointment

Areas of Study