Course Video

The novel has been described as the quintessential literary form of modernity, but do we know what a novel actually is? And is it just a modern form? In this seminar we will look at a range of pathbreaking works that have bent the norms of prose fiction and have opened up new ways of understanding the world, from antiquity to the present. Readings will include selections from The Odyssey, The Tale of Genji, and Don Quixote, together with a range of modern novels, informed by several important statements on the novel, especially by the writers themselves.

Examines trends, issues and debates in the comparative study of mystical literature.
Close readings of primary works by Jewish, Christian and Muslim authors from the Middle Ages through the 16th century. Topics include poetry and mysticism; allegory, symbolism and Scripture; the rhetoric of ineffability; body and gender; apophasis vs cataphasis; exemplarity and autobiographism; language and experience. Also examines creative engagement of pre-modern mystical literature in selected works by modern authors and literary theorists.

This course will introduce students to writing by major pioneers of twentieth century Arabic literature and to cultural histories of the Middle East through the reading of literary texts. Readings drawn from a diversity of national contexts will include historical novels, short stories, experimental prose narratives, and selections from among the most influential poets of the twentieth century. Against the backdrop of Ottoman and Western European imperial domination within West Asia and North Africa, students in this class will explore how the development of modern Arabic literature has been variously understood by writers and critics: as a response to classical literary influences, as a force for political change, as a form of decolonial engagement, and as a source of cultural and linguistic cohesion after the dissolution of the Ottoman empire in the early twentieth century. Although readings will be consulted and discussed in English translation, Arabic or bilingual versions will be made available to those interested, and an attention to the politics of language will be considered through secondary readings on the controversial difference between regional dialects and transregional standards of literary Arabic.

The first Asia-Africa conference of newly independent states (held in Indonesia in 1955) was hailed by contemporary observers as an event as significant as the European renaissance in global importance. It inspired a sequence of political and cultural initiatives in pursuit of new forms of cultural exchange unmediated by former colonial centers. This course explores the historic tensions of this transition towards a post-colonial global order across two continents. The course raises the following questions: how did anti-colonial African and Asian authors and political figures consider the fields of culture and literature as an extension of their political engagements? How were literature and culture viewed as advancing forms of revolutionary change, or addressing entrenched social grievances? How did writers reconcile the ambiguities of national independence with the risks of neo-colonial or ethno-nationalist exploitations?  The course will introduce you to a diversity of authors to explore these questions, engaging with counter-imperial and revolutionary writing from African and Caribbean contexts, the Middle East, and Southeast Asia.

Between 1923 and 1970, Jorge Luis Borges wrote some of the most original poems, short stories, essays and film scripts in Latin America and anywhere in the world, and he redefined the meaning and scope of literature. In this course, we will examine the signifying power of Borges’ short stories, essays and poems, and we will consider his work as a literary machine whose output radically transforms aesthetic formations and imaginaries beyond Argentina and Latin America. Rather than thinking about what his literature means, we will concentrate on what it produces as a fictional-poetic machine: cities and worlds, love and treason, popular and high culture, politics and death, institutions of knowledge and traditions, and new ways of reading and thinking about aesthetic and social relations (this year, the course will be taught in Spanish).