Areas of Study

Literature and politics

From the dust jacket: “In A Fast-Paced History of Speed (Storia rapida della velocità, Milan: Il Saggiatore, 2025), Jeffrey Schnapp spans millennia, cultures, and technologies to explore the profound relationship between velocity and civilization. This is not merely a history of technology or transportation, but a fascinating journey into the imagination and sensibilities of modern humanity—-forever poised between the desire for transcendence and the limitations of the body.

From the Spartan Ladas, who ran so fast he seemed to float through the air, to the cosmic wheels that envelop Dante in the Paradiso; from Thomas De Quincey’s mail coach to the Futurist race cars of Filippo Tommaso Marinetti; from J.M.W. Turner fiery portraits of locomotives to Nvidia’s latest superchip— every form of acceleration tells a story of metamorphosis. And every transformation carries a promise to surpass the human but also the risk of losing oneself in a world that moves too fast.

With intelligence and irony, Schnapp reconstructs an anthropology of speed made of bodies, machines, ecstasies, and crashes. A book that urges us to reflect on what we are becoming. Because in our race toward the future, speed is not just a means—-it is the very measure of what we call progress, power, and existence.”

Storia rapida della velocità was awarded the 2025 Premio di saggistica “Città delle rose” (in the non-Italian author category): an honor whose prior recipients include Alberto Manguel, Marc Augé, Michail Chodorkovskji, Edgar Morin, and Tzvetan Todorov.

Beginning with jokes like this one, this course will examine the question of Jewish humor, exploring the concept of therapeutic joking, the politics of self-deprecation, and strategies of masking social critique behind a well-timed joke. Rather than reach some essential definition, we will instead investigate literature, stand-up comedy, film, and television of the twentieth and twenty-first century in order to 1) think together about the theory, mechanics, and techniques of comedy and humor and 2) ask how and when a text or performance gets labeled Jewish, by whom and for what purposes.

Courses

Spring 2026

Wednesday

COMPLIT 221X: I Forget: The Politics of Memory in Cold War Literature and Film

Matylda Figlerowicz

Remembering and forgetting, evoking and overlooking: they are parts of our everyday life, as well as practices that cement cultures, traditions, and our ideas of self. This course explores the connections between literature and memory. It looks at a period of particular global conflict over memory, when after the end of World War II, the world moves into the decades of the Cold War. We ask how literature participates in the construction of memory and how it sheds light on different sorts of vulnerability and abuses of memory. In what different roles does literature put us as readers in order to compel us to keep memory alive, participate in its construction, or be tempted into forgetfulness? Through literary and theoretical texts, we will discuss the role of literature in narrating tragic and overwhelming experiences, which hardly find their place in language. We will look at the ways in which past and its evocation can be––deliberately or not––distorted, censored, and used for political aims. And we will reflect on everyday practices of trying to keep memory alive, or trying to forget.

In Person

Spring 2026

Thursday

COMPLIT 290/ENG 290MH: Migration and the Humanities

Homi Bhabha

By focusing on literary narratives, cultural representations, and critical theories, this course explores ways in which issues related to migration create rich and complex interdisciplinary conversations. How do humanistic disciplines address these issues—human rights, cultural translation, global justice, security, citizenship, social discrimination, biopolitics—and what contributions do they make to the “home” disciplines of migration studies such as law, political science, and sociology? How do migration narratives compel us to revise our concepts of culture, polity, neighborliness, and community? We will explore diverse aspects of migration from existential, ethical, and philosophical perspectives while engaging with specific regional and political histories.

In Person

Fall 2025

Now in Emerson 101

Tuesday

COMPLIT 112X: Sinophone Sci-Fi: Reparative Co-Futures

Ursula Friedman

How does modern Sinophone sci-fi reveal the “dark side” of China’s rise to power? How does Sinophone speculative fiction and its transmediated afterlives chart a reparative vision in the face of ongoing ecological and political crises? How do memories of past traumas intersect with future catastrophes in short stories and novels by Sinophone creators? How does speculative fiction produced by women and nonbinary creators forge an alternative path for human-AI collaboration? How do queer, transgressive, and non-human desires coalesce into a flora-fauna-AI symbiosis? How does contemporary Sinophone sci-fi advance inclusive futures for queer, crip, rural, neurodiverse, non-Han, and otherwise disenfranchised individuals in the face of ongoing exploitation? How do translators of Chinese-sci-fi employ a reparative praxis to transmediate trauma for global audiences?

In this course, we encounter an array of sci-fi and speculative fiction authored by Ken Liu, Cixin Liu, Han Song, Regina Kanyu Wang, Hao Jingfang, Xia Jia, Gu Shi, Wang Nuonuo, and Chu Xidao, alongside selections by Jorge Luis Borges, Adolfo Bioy Casares, Italo Calvino, Octavia Butler, Margaret Atwood, Ursula K. LeGuin, Ray Bradbury, and Isaac Asimov (reading selections subject to change). We will also examine multimedia adaptations of contemporary Chinese sci-fi, examining the work’s evolution from page to screen to stage. All readings will be available in English and films will be available either dubbed or with English subtitles. By engaging with material through a variety of written, oral, and multimedia responses, you will co-create reparative futures alongside these speculative creators.

In Person

Fall 2025

Dana-Palmer Seminar Room

Monday

COMPLIT 226: Peripheral Modernisms

David Damrosch

Recent years have seen attempts to rethink modernism as a global phenomenon rather than a mostly Anglo-American and West European movement. Center-periphery relations have often been foregrounded in these efforts, and in critiques of them. Building on theoretical statements by Jorge Luis Borges, Oswald de Andrade, Pascale Casanova, Susan Stanford Friedman, Franco Moretti, Oe Kenzaburo, and Roberto Schwarz, this seminar will explore the politics of language, representation, and center-periphery relations in works by Antonio Machado de Assis, Ryunosuke Akutagawa, Higuchi Ichiyo, James Joyce, Miguel Ángel Asturias, Franz Kafka, Eileen Chang, Clarice Lispector, Lu Xun, Ahmet Hamdi Tanpınar, and Pramoedya Ananta Toer.ars have seen ambitious attempts to rethink modernism as a global phenomenon rather than a largely Anglo-American and West European movement. Center-periphery relations have often been foregrounded in these efforts, and in critiques of them. Building on theoretical statements and critiques by Jorge Luis Borges, Kenzaburo Oe, Franco Moretti, Pascale Casanova, Emily Apter, Eric Hayot, and Susan Stanford Friedman, this seminar will explore the politics of language, periodization, and center-periphery relations both within and beyond the West, in works by Higuchi Ichiyo, James Joyce, Lu Xun, Ryunosuke Akutagawa, Virginia Woolf, Djuna Barnes, Borges, Kukrit Pramoj, Pramoedya Ananta Toer, and Derek Walcott.

In Person

People

Harvard College Professor

Faculty of Arts and Sciences

Martin Peretz Professor of Yiddish Literature and Comparative Literature

Faculty of Arts and Sciences

Harry Tuchman Levin Professor in Literature, Professor of East Asian Languages and Civilizations, Harvard College Professor

Faculty of Arts and Sciences

Office: c/o Reischauer Institute CGIS South S222 1730 Cambridge Street, Cambridge, MA 02138 USA

Office Hours: Th. 12-1pm and by appointment

Smith Professor of Romance Languages and Literatures and Comparative Literature

Faculty of Arts and Sciences

Office: Boylston 327

Office Hours: On leave 2025-2026

Irving Babbitt Professor of Comparative Literature and Professor of English, Emeritus

Faculty of Arts and Sciences

Office: Barker Center 265

Director of Graduate Studies

Faculty of Arts and Sciences

Office: Boylston Hall 231

Office Hours: Wednesday 12-1pm or by appointment

Areas of Study