Areas of Study

Philosophy and literature

Apr

21

From the dust jacket: “In A Fast-Paced History of Speed (Storia rapida della velocità, Milan: Il Saggiatore, 2025), Jeffrey Schnapp spans millennia, cultures, and technologies to explore the profound relationship between velocity and civilization. This is not merely a history of technology or transportation, but a fascinating journey into the imagination and sensibilities of modern humanity—-forever poised between the desire for transcendence and the limitations of the body.

From the Spartan Ladas, who ran so fast he seemed to float through the air, to the cosmic wheels that envelop Dante in the Paradiso; from Thomas De Quincey’s mail coach to the Futurist race cars of Filippo Tommaso Marinetti; from J.M.W. Turner fiery portraits of locomotives to Nvidia’s latest superchip— every form of acceleration tells a story of metamorphosis. And every transformation carries a promise to surpass the human but also the risk of losing oneself in a world that moves too fast.

With intelligence and irony, Schnapp reconstructs an anthropology of speed made of bodies, machines, ecstasies, and crashes. A book that urges us to reflect on what we are becoming. Because in our race toward the future, speed is not just a means—-it is the very measure of what we call progress, power, and existence.”

Storia rapida della velocità was awarded the 2025 Premio di saggistica “Città delle rose” (in the non-Italian author category): an honor whose prior recipients include Alberto Manguel, Marc Augé, Michail Chodorkovskji, Edgar Morin, and Tzvetan Todorov.

Courses

Spring 2027

Thursday

COMPLIT 232/SPANSH 232: About the End of the World in Contemporary Culture and Theory

Mariano Siskind

Cosmopolitanism has been a vital master concept for understanding modern and modernist processes of global circulation, disjunction, and transnational/translational formations and subjectivities. Today, the displacement of more than 122 million refugees, migrants, and forcibly displaced persons driven by environmental catastrophes, economic hardships, and small and large-scale perpetual wars in Latin America, Africa, the Middle East, Europe, and East Asia points to the radical dislocation of the symbolic structure we used to call “world.” Is the concept of cosmopolitanism still useful for interrogating this generalized sense of global crisis? Can cosmopolitanism still be posited as a radical utopian horizon from which to oppose the militarization of the globe? What is the ethico-political potential today of “a cosmopolitanism without a world”? This seminar is not about the very real historical suffering and losses of those whose bodies are wounded by the political, economic, military, and environmental upheavals; rather, it is about the post-cosmopolitan traces of those experiences in art, literature, film, and theory, and about how we can determine what art and the critical humanities can and can no longer do about the contemporary experience of what we will call “the end of the world.

In Person

Fall 2026

Wednesday

COMPLIT 110X: What Is a Novel?

David Damrosch

Course Video

The novel has been described as the quintessential literary form of modernity, but do we know what a novel actually is? And is it just a modern form? In this seminar we will look at a range of pathbreaking works that have bent the norms of prose fiction and have opened up new ways of understanding the world, from antiquity to the present. Readings will include selections from The Odyssey, The Tale of Genji, and Don Quixote, together with a range of modern novels, informed by several important statements on the novel, especially by the writers themselves.

In Person

Fall 2026

Dana Palmer Seminar Room

Friday

COMPLIT 291X / GERMAN 291/ ROM-STD 201: Questions of Theory

Jeffrey Schnapp & Daniel Carranza

 

The seminar is built around a sequence of fundamental questions regarding the literary disciplines and media studies, their history and epistemology. Discussions are instigated by readings in philology, stylistics, the history of ideas, semiotics, structuralism, psychoanalysis, post-structuralism, film and media theory, genetic criticism, literary sociology, cultural studies, and digital humanities.

In Person

Fall 2026

Monday, Wednesday

GENED 1030: The Philosopher and the Tyrant

David Damrosch

In a time of rising authoritarianism and polarized debate, what role can the love of wisdom have in tempering the pursuit of power?

Philosophers and politicians alike struggle to set the terms for living a good life in a world of conflict. Rulers seek guidance from their counselors, and philosophers have often dreamed of wielding real-world influence. Reading a series of masterpieces of philosophical thought and literary expression, we will examine some striking cases of relations between the pursuit of wisdom and the pursuit of power, from the extremes of conflict (the executions of Socrates, Han Fei, Jesus, Sir Thomas More) to the opposite dream of the philosopher king. How do seekers of wisdom speak truth to power? How do rulers understand their ethical responsibilities toward their often fractious subjects? How do rulers and subjects alike weigh the competing demands of liberty and order, self-fulfillment and self-restraint? Moving from ancient to modern examples, this course will see how the insights and methods of Plato, Machiavelli, Shakespeare, and Hannah Arendt can be useful in working through contemporary conundrums of wisdom and power.

In Person

Spring 2026

Dana-Palmer Seminar Room

Wednesday

COMPLIT 157/RELIGION 1446/HDS 3723: From Type to Self in the Middle Ages

Luis Girón-Negrón

It has been argued that the poetic “I” in premodern literatures is not a vehicle for self-representation, but an archetype of the human. The course will examine this thesis against the rise of autobiographical writing in medieval and early modern Europe. Readings include spiritual autobiographies (Augustine, Kempe, Teresa of Ávila), letter collections (Abelard and Heloise), Arabic and Hebrew maqama literature, Provençal troubadour lyric, Hispano-Jewish poetry (Samuel ha-Nagid, Judah Halevi, Solomon ibn Gabirol), prison poetry (Jacopone da Todi, al-Mutamid of Seville, François Villon), pilgrimage narratives, travel literature, Petrach, Dante (Vita nuova and selections of the Commedia), Ibn Ḥazm of Córdoba, Latin American chronicles, and the picaresque novel (Lazarillo de Tormes). Theoretical perspectives by Spitzer, Lejeune, Zumthor, and DeCerteau.

Course note: This course counts for the Romance Studies track in the Department of Romance Languages and Literatures.

In Person

Spring 2026

Dana-Palmer Seminar Room

Thursday

COMPLIT 166X/ROM-STD 166: Calvino and Computation

Jeffrey Schnapp

Course video

One of the towering literary figures of the 20th century, Italo Calvino is remembered for his inventiveness, versatility, philosophical acuity, and interest in exploring combinatorial and computational approaches to creative practice. Using as its point of departure his 1967 lecture Cybernetics and Ghosts, the course is built around readings of some of Calvino’s most celebrated novels, among them: The Castle of Crossed Destinies, If on a winter’s night a traveler, and Invisible Cities. But we will also read from his Six Memos for the Next Millennium and critical writings, from writings by figures in contemporary cybernetics and communication theory, and from the Italian structuralist tradition, Oulipo, and the Programmed Art movement of the 1970s. Class assignments will involve the speculative, creative, and critical use of Generative AI tools and the generation of plausible “new” works by Calvino forty years after his death.

In Person

People

Smith Professor of Romance Languages and Literatures and Comparative Literature

Faculty of Arts and Sciences

Office: Boylston 327

Office Hours: Mondays 12-1.30 or by appointment

Irving Babbitt Professor of Comparative Literature and Professor of English, Emeritus

Faculty of Arts and Sciences

Chair, Department of Comparative Literature

Faculty of Arts and Sciences

Office: Boylston Hall 231

Office Hours: Wednesdays 12-1pm and by appointment

Byron and Anita Wien Professor of Drama and of English and Comparative Literature

Faculty of Arts and Sciences

Office: Barker 220

Office Hours: By Appointment

Francis Jones Professor of Classical Greek Literature and Professor of Comparative Literature

Faculty of Arts and Sciences

Office: Boylston Hall 228

Office Hours: Fall 2026 TBA

William R. Kenan Professor of German and Comparative Literature

Faculty of Arts and Sciences

Office: Barker Center 345

Office Hours: Thursdays 11 - 12:30pm

Areas of Study