Multilingualism
Media history and theory
East-West relations
Digital and experimental humanities
Literature and politics

Areas of Study

PHOTO ESSAY

PHOTO ESSAY

The course provides a lively, in-depth introduction to fascism, its philosophical and political roots, its critique of liberal democracy and socialism, and the traces fascism has left on the contemporary cultural-political scene. It begins with readings from key fascist thinkers and theorists, before surveying a series of domains where artists, writers, architects, film-makers, and engineers sought to interpret and embody the “fascist revolution” not just in Italy but worldwide. Among the figures considered are mystical nationalists like Gabriele D’Annunzio; Filippo Tommaso Marinetti, founder and leader of the Futurist movement; the American poet Ezra Pound, author of the Cantos, one of the masterpieces of 20th century American poetry; Leni Riefenstahl, the film director of classic documentaries such as Olympia and Triumph of the Will; the architects Marcello Piacentini and Adolf Speer, the former Italy’s leading designer of public monuments and buildings during the Mussolini era, the latter Hitler’s preferred architect; and the engineer Gaetano Ciocca, creator of everything from Corporativist pig farms to mass-produced worker housing to mass sports stadia. Course themes will include: fascism vs. nazism; collectivism vs. individualism; radical right attitudes towards technology and industrialization; and examinations of the convergences and divergences between mid-20th century fascisms and the sub-cultures of today’s alt-right.

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The novel has been described as the quintessential literary form of modernity, but do we know what a novel actually is? And is it just a modern form? In this seminar we will look at a range of pathbreaking works that have bent the norms of prose fiction and have opened up new ways of understanding the world, from antiquity to the present. Readings will include selections from The Odyssey, The Tale of Genji, and Don Quixote, together with a range of modern novels, informed by several important statements on the novel, especially by the writers themselves.

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This course will explore contemporary literature and cinema across Southeast Asia, focusing on regional developments after the Asian financial crisis of 1997 through the present. Themes discussed include literature’s relationship to economic turmoil and political change; questions of class and social mobility; anti-authoritarian writing and issues of censorship; literature, youth culture, and new media landscapes; and literary explorations of gender and sexuality. Readings will include a selection of critical essays to foreground these central themes of the course, along with poetry, short fiction, and films from: Brunei, Cambodia, Laos, Indonesia, Malaysia, Myanmar, the Philippines, Singapore, Thailand, Timor-Leste, and Vietnam. Readings will be taught in English translation and films will be screened with English subtitles.

Spring 2026 + Spring 2027: A re-examination of “Lyric” as occasion as well as genre. Central questions to be explored will include: how do the “lyrics” of composed song come alive in performance? For example, how do the two librettists of Puccini’s opera “La Bohème” contribute to the making of a masterpiece in song? Shared readings include “The Lyric Theory Reader: A Critical Anthology”, edited by Virginia Jackson and Yopie Prins. Students are free to select as their focus of research any particular “lyric” traditions, composed in whatever language. No previous knowledge of literary theory is presumed.

SVETLANA BOYM MEMORIAL LECTURE: David Damrosch

Ernest Bernbaum Professor of Comparative Literature

With an introduction by Professor Justin Weir

Title | Nostalgias of the Future: The Materiality of Memory in Solaris and New York 2140

Abstract | In The Future of Nostalgia, Svetlana Boym writes that “at first glance, nostalgia is a longing for a place, but actually it is a yearning for a different time – the time of our childhood.” Science fiction adds a new temporal dimension, a prospective nostalgia set in a distant future. This talk will compare Russian and American nostalgias as seen in the varied ways objects carry memory in Andrei Tarkovsky’s Solaris and Kim Stanley Robinson’s New York 2140.
4.21.2026

A message from the chair \ Jeffrey Schnapp

Reflecting the ongoing paradigm shift of comparative studies from an almost exclusive focus on Western European traditions to a newly global awareness, our faculty ranks have expanded in recent years to encompass a world-wide range of languages and cultures.

Interested in Concentrating in Comparative Literature?

Check out our Prospective Concentrators and Peer Advisors
pages for more information.

Contact our Director of Undergraduate Studies,
Dr. Sandra Naddaff.

Currently the Ernest Bernbaum Professor of Literature and Chair of the Department of Comparative Literature at Harvard University, David Damrosch began his career in the study of a much earlier…

Positions open

Title

2026-2027: Yiddish Studies

School

Faculty of Arts and Sciences

Department

Comparative Literature

Position Description

During the academic year 2026-2027, the Department of Comparative Literature will be carrying out a senior rank search in the field of Yiddish Studies.

Areas of Study